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Sarah Senk joined the Department of Culture and Communication in 2016. Her research focuses on modern and contemporary global English literature and memory studies.



"The Memory Exchange: Public Mourning at the National 9/11 Memorial Museum," Canadian Review of American Studies Vol. 48, No. 2 (2018), pp. 254-276
"Mourning's Spiral: Trauma, Time, and Memory in Derek Walcott's Omeros," Symbolism: An International Annual of Critical Aesthetics Vol. 16 (October 2016), pp. 35-51
"Insurgent Testimonies: Witnessing Colonial Trauma in Modern and Anglophone Literature by Nicole Rizzuto (review)," Contemporary Literature Vol. 57, No. 3 (Fall 2016), pp. 453-461

"Attention to the Text: Delay and the ‘ADD Generation,'" Transformations: The Journal of Inclusive Scholarship and Pedagogy, Vol. 25, No. 2, Teaching Disability (Winter 2016), pp. 78-95

"The Glass Bowl of Memory: Plotting 1993 at the National 9/11 Memorial Museum," Post 45: Contemporaries (June 2015)

"On This Day, Nothing Happened," Slate Magazine (June 15, 2015)

"Virtual Witnessing," Audio Podcast, The Wilson Centre, University of Aberdeen (November 5, 2014)
"No Man's Land: Jamaican Guestworkers in America and the Global History of Deportable Labor by Cindy Hahamovitch (roundtable review with Abigail Ward and Henrice Altink), Journal of American Studies Vol. 48, No. 1 (February 2014), pp. 309-319

"Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)," MLN: Modern Language Notes Vol. 128, No. 5 (December 2013), pp. 1207-1211
"Lost in Space: Is it really possible to memorialize 9/11 in the heart of New York's financial district?" The American Prospect (September 12, 2011)


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Dr Senk


Dr. Sarah Senk

Office: 103

email: ssenk@csum.edu


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